11/11/2023 0 Comments Four seasons vivaldiBeethoven: Violin Sonata No.5, ‘Spring Sonata’ Stravinsky’s score is almost as provocative as Vaslav Nijinsky’s original choreography. The music is heavily dissonant and rhythmically aggressive, creating a soundworld that evokes the rustic whilst impinging on primitivism. Set in pagan Russia, the score is based almost entirely on fragments of no more than nine traditional Russian folk songs. Stravinsky: Le Sacre Du Printemps / The Rite Of SpringĪ work probably best described as classical marmite … but love it or hate it, Stravinsky’s ballet Le Sacre Du Printemps / The Rite Of Spring is a twisted homage to spring. Delius also weaves a traditional Norwegian folk song into the earthy fabric of the piece, giving it an easy, pastoral feel.Ĭlick to load video 8. It begins with a lilting, chirping theme in the strings, imitating perfectly the call of a cuckoo, before building organically into a gentle cacophony of tweeting birds. Delius: On Hearing The First Cuckoo In Springĭelius’ tone poem On Hearing The First Cuckoo In Spring is a beautiful example of nature manifested in musical form and one of the best pieces of classical music for spring. Listen to ‘Spring’ from Vivaldi’s The Four Seasons, performed by Janine Jansen, on Apple Music and Spotify. Discover our selection of the best classical music for spring featuring 10 essential pieces. As we begin to thaw out and head into the first blissful months of spring, we’ve compiled a joyfully warming playlist of classical pieces to help ease you into springtime. The dark, wintery nights are fading, the morning frost is turning dewy, and the sun is creeping higher into the sky each day. This concert is presented with the generous support of Elizabeth Sengupta.And breathe. Before the performance, dive deeper into a program you thought familiar with a pre-concert lecture by doctoral candidate Barbara Dietlinger. Hear all four of Vivaldi’s concerti for the seasons like you’ve never heard them before when Concerto Köln, “those wonderful early-musickers from Cologne” ( The New York Times), comes to Mandel Hall this winter. Rather than endeavoring to recreate historical practice down to the most minute detail, Concerto Köln embraces the freedoms inherent in the score, and it is their “deviations from the norm pack a substantial punch” (Charlotte Gardner, Gramophone). The orchestra’s young concertmaster and soloist Shunske Sato remarks that he and the ensemble search for “something new in every moment.” “Imagination, personality and one’s own view of a piece of music were what was expected” in performance up until the 20th century, he says. Without a doubt, the special energy that Concerto Köln brings to Vivaldi is due to its unique self-governing structure and an unbroken desire to find the unknown. In the hands of this ensemble, some of the most ubiquitous examples of baroque music on hard drives and CD shelves and piped into department stores, elevators, and telephones around the world take on an entirely new life, with a freshness and vigor that could only come from an ensemble like this one. With more than 200 recordings and countless re-imaginings and new works inspired by the opus, it is hard to believe that a 30-year-old ensemble performing in the 21st century could bring something new and exciting to Antonio Vivaldi’s Four Seasons, but that is exactly what Concerto Köln, a period chamber orchestra from Germany, accomplishes. 3 RV 293, "Autumn"Ĭoncerto in F minor, Op. 12 Intermission Giuseppe Valentini: Concerto for Four Violins in A minor, Op. Pietro Antonio Locatelli: Concerto for Four Violins in F Major, Op. 1 RV 269, "Spring"Ĭoncerto in G minor, Op. Vivaldi: Concerto for Four Violins in B minor, Op. Subscribe and curate your own series with the Pick 4 or 6 subscription package.
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